Christmas Carols

Christmas Carols

For an image of the world to come, look to the children: Recently Justin Bieber, the Western world’s choirboy igni ferroque, released his first Christmas album, combining traditional carols—“Drummer Boy,” “Silent Night,” and the like, performed in his signature reedy contralto—with some festive canticles not previously loosed upon the Earth. (From one track: “I don’t want to miss out on the holiday/ But I can’t stop staring at your face.”) Bieber has said that his goal in recording this music, which has already hit No. 1 on the Billboard charts, was to “work with people who had great experiences with Christmas albums.” This may strike some listeners as a quixotic ambition. Christmas carols are, if anything, the visiting relatives of the musical world: They show up at the same time every year, stick around a little longer than one might prefer, and set the tone of virtually all family entertainment while they are in town. A December without them would be strange and slightly lonely, yet the prospect of their absence tends to be, by one week in, a reason in itself to look forward to the new year.